A rainy holiday miles away from Scotland proves fruitful!

Might sound like a strange title for a blog post, but... i've just returned from visiting my mum (who lives on the edge of Dartmoor) for a week and a bit's holiday. Unfortunately it rained a lot so we couldn't go and do as much as we'd planned for the time we were there, but it had it's bonusses, my girlfriend read a book she's been wanting to for ages, and i finalised the trackplan for the layout, and looked through lots of my old railway books!!

Whilst I had intended originally to have the layout on a much sharper curve, from talking to other narrow gauge modellers about my ideas i've decided to smooth it out and have a much gentler curve for the trackwork. To accomodate this i've had to ease the shape of the layout away from an L shape to what might be likened to a banana shape. The idea is that the fiddle yard end of the layout sits some distance away from the barrier at an exhibition (while being close enough to see all the details!), and it then curves and comes to a stop at the station end much closer to the barrier.

I also went to Plymouth model railway exhibition, whilst there wasn't anything particularly inspiring there from a narrow gauge point of view, i bought a few bits and pieces which will be useful. As i said before i'm planning on building a new body on the Roco loco that i bought recently, this will be freelance, but a 2-6-2T which is very much inspired by the Ballymena & Larne compund locos built by Beyer Peacock (albeit with smaller wheels and outside frames). More details will follow on this in subsequent blog posts.

Finally, i visited a friend who has leant me two superb DVDs, those on Scenery techniques produced by Paul Scoles. They are superb and cover all sorts of scenic techniques in an easy to follow and well explained manner.

Source: www.paulscoles.com

Paul uses dirt for covering his scenic hard shell, and applies this dry to the slopes of the hard shell, lets it settle whilst gravity does it's work and then wets it and glues it in place. This provides as natural an 'earth' as possible in my mind, where the material has settled to the angle which it would in real life (ok, so grain sizes are slightly different which will have an impact, but it's sieved beforehand so it's nice and fine). Examples of Paul's scenery techniques are visible on the galleries of his Pelcian Bay Railway & Navigation Company.

This is something i might consider for PnC, but i'm not entirely sure as yet, it could potentially add a LOT of weight to the boards, but it does look very good...